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Mar 30

"Coal" Spike TV photo

SPIKE TV PRESIDENT TALKS EXPANSION MOVES

Thom Beers says it took him three years to find a mining company willing to allow him to come in with his camera team before he was able to start shooting “Coal.”  The latest in the extraordinarily successful producer’s collection of reality shows depicting real-life dangerous jobs (“Deadliest Catch,” “Ice Road Truckers,” “Black Gold,” etc.), it debuts on Spike tonight.

It’s a doozy.  If you’re disturbed by dark confined places, this is not the show for you.

Thom Beers

“It’s a big scary hole in the ground,” Beers acknowledges.  How did he find a crew willing to go in to shoot the show?  “We start with lobotomies.  No — I’ll tell you what.  This was a particularly tough one, but the guys that do all these programs we make are looking for an adventure, not a paycheck.  These are not guys who are going to whine about meals and travel.  They actually had to do two weeks of training before we started shooting.  You can’t just walk into a mine like this.

“We did kind of a bait and switch on the guys,” he adds.  “At first we were going to do a 64-inch vein of coal, but by the time we made all our deals, it was 34 inches.  That’s 10 weeks on your knees.”

“Coal” showcases a multigenerational assortment of miners and a pair of ex-computer guys who invested their life savings into buying a mine.  Fortunately for Beers, those owners — Mike Crowder and Tom Roberts of West Virginia’s Cobalt Coal — knew his work.  ”Our reputation was key to our getting access.  They knew we weren’t there to skewer anyone.  That’s not what we do,” says Beers.

According to him, one of the biggest challenges had nothing to do with physical difficulties: “Getting a West Virginia miner to open his mouth — that’s a very tough job, to get them talking.”  And once they do talk, they’re often hard for non-West Virginia miners to understand.  “We had to rely more heavily on subtitles than we’ve ever done before,” admits Beers.

Kevin Kay

MEANWHILE:  “Coal” marks a new direction for Spike.  “It’s very different for us,” notes Spike TV President Kevin Kay.

Explains the man whose accomplishments include launching “The Ultimate Fighter,” “We have a little bit of a stranglehold on young men, 18 to 34, and we’ve found that young guys are loyal to Spike and want to see Spike succeed.  Older guys, not so much.”  He intends to change those older guys’ minds with “Coal” and other shows that have a broader appeal.  “‘Coal’ is exactly the direction the network wants to be heading,” he says.

Referring to Spike’s raunchiest show, Kay says that much of the impetus toward more diverse programming “came out of focus groups, and hearing from older guys who sometimes felt uncomfortable watching ‘Blue Mountain State’ if their kid was in the room or their wife was in the room.  We were hearing that loud and clear.”

Besides “Coal,” Spike has “Ink Masters” — a reality competition show among tattoo artists — coming up.  “We haven’t seen that before,” points out Kay.  And then there’s “Car Boss,” whose main subject Kay terms “a ‘Dog the Bounty Hunter’ of car sales….He goes around to all these car dealerships and rejuvenates them.”  Also ahead is a new season of “Auction Hunters,” which already delivers a wider demographic than other Spike shows, including females.  But Spike has no intention of forsaking its manly mandate.

“Spike is for men and the women who love them” says Kay, “and that’s what it should be.  We’re not Oxygen, Bravo or Lifetime.  We’re the opposite of that.”

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Mar 30

(clockwise from bottom left) Margaret O'Brien, Janet Leigh, June Allyson, Elizabeth Taylor, Mary Astor

“Now I’m the last of the ‘Little Women,’ so it’s sort of a strange time for me right now,” says Margaret O’Brien, the former child star who lost her screen sister and pal of 60 years, Elizabeth Taylor, last week. Taylor, as movie buffs everywhere know, played Amy March in the 1949 adaptation of Louisa May Alcott’s “Little Women,” and O’Brien played Beth, with the late Janet Leigh and June Allyson as Meg and Jo.

“Elizabeth gave such a wonderful performance as Amy. We were all very close at the time, like sisters,” O’Brien recalls. “And we stayed close friends after the movie. So it’s a sad time.”

The 74-year-old actress and dancer has another one of her classic films returning to the spotlight right now, with the Warner Archive Collection release of her “Unfinished Dance” on DVD today (3/29). The movie, in which Cyd Charisse plays a ballerina who loses out on the lead in “Swan Lake” to another dancer, was compared to Natalie Portman’s “Black Swan” during awards season, so Warners is making the restored 1946 feature available (www.wbshop.com) in time to capitalize on “Black Swan’s” home video release.

Busy O’Brien, who recently finished shooting a role in the big-screen “Lodestar Sagas,” loved “Black Swan” and Portman’s performance.

“It reminded me so much of my ballet days. A dancer’s life is way is way too hard,” adds the performer, whose mother was a famous Flamenco dancer. “In reviews about ‘Black Swan,’ they talked about how movies about the ballet, like ‘The Red Shoes,’ are always a little dark because of what you have to go through.”

With that in mind, she lends support to dancers’ charities and is looking forward to attending a Professional Dancers Society fundraiser with friend Mitzi Gaynor.

“I am happy to see ‘The Unfinished Dance’ being brought out again. Being able to dance with Cyd Charisse back then was wonderful. She was a beautiful dancer and a beautiful lady.

“I wore out many toe shoes,” adds O’Brien. “I didn’t keep a lot of memorabilia from my childhood: one dress from ‘Little Women,’ the red coat from ‘Meet Me in St. Louis’ and my toe shoes from “The Unfinished Dance.’ That was all.”

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Mar 29

Tom Green

Tom Green has been doing his stand-up comedy thing all over the world this past year.  But no doubt his most recent foreign travel — touring military installations in Afghanistan this month — will continue to stand out in his mind ahead of other gigs.  “It was a  bizarre, surreal, exciting  experience,” he declares.

“You are very aware you’re in a war zone.  If you go to my website (tomgreen.com) you can see video, as we’re flying in a Chinook helicopter — see these guys hanging out the windows with machine guys, watching for missiles.   That was the most nerve-wracking thing to me — the helicopter.  It hugs the ground and it’s like a roller-coaster as they make combat-evasive maneuvers.”

“I went over with the Canadian military,” explains Tom, whose father was in the Canadian army through his growing-up years.  His biggest show was in Kandahar, performing before a crowd of Canadian, American, British and Australian troops.

Having toured Australia and the U.K. in recent months, he’s found scant need to tailor his material to fit different nationalities.  “We are living in a very connected world of very common experiences now,” he notes.

That’s a topic viewers are bound to see him touch upon this summer;  he has a new hour-long Showtime comedy special in the works, along with a documentary chronicling his travels.  Such a peripatetic life is the antithesis of the internet show he’s been doing the last four years or so from his own living room.

“Basically, that sort of led to this,” he says.  “I’ve been having so much fun doing the web show, which is very interactive, it seemed like a good time to take the show to everyone else and say hello.  Also, touring the world doing stand-up is something I’ve always wanted to do.  It’s a challenge for me to try to do this.  A couple of years ago I started writing and performing it…. I didn’t intend to be touring full-time for more than a year, but it becomes very addictive.”   Tom is headlining close to his L.A. home come April 8 and 9, at the Flappers Comedy Club.

MEANWHILE:  Followers of Tom’s web show will be interested to know he’s getting ready to move it out of his house and into a new facility.  “It was fun doing it there at first,”  he says.  But now, not so much.  He is also preparing to launch a new comedy website, Lafftube.com, with “live programming on all day” in addition to videos.  Along for the ride will be some current comedy podcasters Tom says he’ll help develop.

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Mar 28

Tori Spelling, Dean McDermott

Will adventurous, tradition-busting themed weddings bloom into vogue in coming months?  They will if Tori Spelling’s and Dean McDermott’s hopes for their forthcoming “Tori & Dean: sTORIbook Weddings” show come to pass.  “I think a lot of weddings that planners throw are very cookie-cutterish,” Tori complains.  “They’re all the same after awhile.”

The weddings she and Dean help put on in their April 6-debuting Oxygen series are anything but same old, same old.

“My favorite was, we did a Marie Antoinette wedding — a party, a ball.  This couple was very into fashion.  We did it at the Vibiana downtown, which was great because the architecture there allowed us to do a cool modern take on the theme, which is all about abundance and excess,” says Tori, who certainly is one to know of such things.

Dean says his favorite was “The steampunk wedding we did at the Edison (Lounge, also in Downtown Los Angeles).  It’s Victorian age-meets-Industrial Revolution….We had aerial acrobats as entertainment.”

Tori and Dean insist that their weddings were carried out on surprisingly modest budgets, though she declines to give figures.  “I don’t know if we’re supposed to say.  Our wedding budgets vary, but none of them were extravagant.  We’re not like other wedding shows where they rely on big budgets.  Dean and I made everything ourselves, and we have favors we can call in from florists, jewelers and other businesses.”  Not to mention those no doubt lining up to offer their goods and services for promotional considerations.

Of course, there are those who will assume that once the cameras were turned off, Tori and Dean put down their staple guns and headed home while their people got the job done.

“We do all the work,” she responds firmly.  “For the Indian wedding we did, I think the night before we were up ’til 3 a.m., literally dressing the room for a 10 a.m. wedding.  I’m such a micro manager and a control freak, I’d never let anyone do it for me.  I never believe anyone else would do as good a job.”

She admits, “It was hard, doing the eight weddings in the time period we had.  That was our lives.  The kids came with us and stayed at the hotels where we working.  They got used to it.  Now they want to stay at hotels all the time…They’re highly socialized.”

The McDermott’s children — Liam, 4 and Stella, 2 — lent their little hands as well.  “Stella loves filling favor bags,” says Dean.  Liam suggests Spider-man red and blue balloons for pretty much every wedding, according to his mom and dad.

Tori and Dean renewed their vows last May in Beverly Hills (counteracting rumors of trouble in their marriage).  She says the event “was actually one of the reasons we thought of doing this show.”

“I want to do it every year,” says Dean.

Tori says she has mixed feelings about the show focusing on each wedding couple’s love stories, family dramas and surprises — when she’d like to have more lingering shots of her own handiwork.  But there’s a remedy for that.  ”

“I have my first party planning book coming out Oct. 26: CelebraTORI,” she says.  Of course.  The best-selling memoirist also has another autobiographical tome on the way for 2012.

AN OPEN BOOK:  Leah Remini says she has no regrets about comments she’s made about her family life, her husband or other personal matters on her “The Talk” show with Julie Chen, Holly Robinson Peete, Sharon Osbourne and Sara Gilbert.  “I’m not worried about it.  If we’re not going to reveal ourselves, we’re not going to be different from anyone else,” she says.  The former “King of Queens” leading lady does admit it’s been a challenge getting used to working live.

“On a sitcom, if you make a mistake, they stop tape and go back.  With this, you’re live and being yourself, and whatever you say is out there.  I obsess about saying the wrong things.  And I’m the kind of person who, if 100 people give me compliments and one says something negative, oh, my God I’m crushed.”  She does not, however, give credence to haters on the internet.  That kind of rampaging negativity “is an act of cowardice.  It’s a cowardly world we’re living in, where people talk a lot of crap on the internet — anonymously — and say things they’d never have the nerve to say to someone’s face.”

THE HORSEY SET:  Bruce Springsteen and Patti Scialfa  were on hand to cheer daughter Jessica during the $230,000 Grand Prix at Winter Equestrian Festival in Wellington, FL, where the Step By Step Foundation hosted the 2nd annual “All in for Charity” benefit poker tournament.  Equestrian Hillary Dobbs, wearing a gorgeous floor length dress that covered her knee brace, was one of the five females to make up charity founder Liliane Stransky’s poker team, but her dad Lou Dobbs was stuck back East  getting ready for the debut of his show on Fox Business News.

Hillary, who celebrated her 23 birthday at the Winter Equestrian Festival, had sustained an injury when her horse slipped in an Open Jumper competition and fell to the ground. (The horse rolled on top of her… both horse and rider got up and walked out the ring, but Hillary’s knee needs a bit of time to mend). This week she had to just watch from the stands along with the Springsteens.

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Mar 24

Vin Diesel, Dwayne Johnson Universal photo

Dwayne “The Rock” Johnson will be front and center entertaining his male constituency next month, starting with hisreturn to the WWE to host “WrestleMania 27″ April 3, and continuing through release of the fifth “Fast and the Furious” testosterone-fueled street racing action flick April 29.  So — of course! — Entertainment Weekly used theoccasion to ask the big guy what made him weep.  “I’m a very emotional man,” says Dwayne.

Those emotional things include his daughter’s birth in 2001:  “I’m an only child and grew up with a very selfish ‘I gotta take care of me’ attitude. And when I first held my baby girl, it hit me like a ton of bricks that there’s someone else in this world that I must commit to…”  Aw!

Then Johnson’s stroll through memory lane takes him to such moments as earning his first WWE (then WW F) world championship in 1998; winning the national championship with the University of Miami football team in 1992; and this one that will hit home with a lot of men:  “I accidentally closed the garage door on the front of my black Ford F-150 about three months ago. I shed a tear when I saw that happen. That’s my baby, my favorite car to drive.””  Sniff. Sniff.   The issue hits stands tomorrow.  (3/25)

Mar 23

Joseph Lyle Taylor FX photo

Joseph Lyle Taylor, known to fans of the F/X drama “Justified” as small town bad guy Doyle Bennett, shows quite a different set of capabilities in the upcoming “Seven Days in Utopia” with Robert Duvall, Lucas Black and Melissa Leo.  As Black’s father, he’s seen coaching the character in golf from age 11 into adulthood — a role that required him to age over 15 years.  Being a golfer not only made the role easier to get into for Taylor — it made it possible.  “In fact, it came down to my swing weather I got the job or not,” he admits.  “I had to be okayed by this PGA group that put in money.”  Being paid to golf, he can now legitimately say he’s a professional golfer.  “Except my handicap is still a little high for professional golf,” he says with a laugh.

The actor reports the “Justified” troupe, led by Tim Olyphant, is just about to wrap production for its second season.  Taylor couldn’t be happier to be a part of the gritty, acclaimed series — not only because he’s tremendously proud of it, but because it’s generating heat on his career.  Last week, in fact, he got the call that no less than Christopher Nolan wants him, for a role in his new “Batman” feature.  Nice.

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Mar 23
Burton & Taylor

Burton & Taylor

RIP Elizabeth Taylor, the last great Hollywood film goddess…As the world says farewell to the actress-philanthropist, who died today at age 79, we also say goodbye to a kind of glamor that simply does not exist today.  Here is a glimpse of Elizabeth Taylor’s world when she was at her very peak, and Marilyn Beck shared an adventure.

November 11, 1963

Elizabeth Taylor and Richard Burton Find Paradise On ‘Night of the Iguana’ Shoot

By Marilyn Beck

PUERTO VALLARTA, MEXICO — Elizabeth Taylor and Richard Burton have discovered paradise – and they freely admit it.

In this tiny, tropical village they have found their heaven on earth, where they can openly display their love for each other, freer than they have ever been from notoriety and criticism.

In an exclusive interview with this reporter, Burton explained that he and his Elizabeth are now in process of buying a home in Puerto Vallarta, that they have found contentment here that has  thus far eluded them in the other places they have traveled.

“Half the people here,” he explained, “have never heard of Elizabeth. The other half might have heard of her, but couldn’t care less about her behavior.  The natives allow us to live our lives, to act ourselves.”

He grinned disarmingly, as if unaware his statements were newsworthy, and explained, “Elizabeth and I have already put in an offer on one home.  It was on the market for $40,000.  Unfortunately, when the owner discovered we were the bidders he jacked  up his price to $60,000 and we backed out.  I am sure of this, however,  If we keep looking we will find another home here that pleases us.  “This much we’ve decided:  we do want to live in Puerto Vallarta.  It’s paradise.”

It is understandable that both he and Miss Taylor should have fallen so in love with this tropical village.  For here they have been able to act much like honeymooners blissfully in love.

Local cab drivers point out to tourists “Casa Kimberley,” the luxurious villa nestled high on a rocky hillside where the famous couple live together

Each morning a candy-striped jeep, boldly inscribed on its side with the words “Casa Kimberley” calls for Burton at the entranceway of the house.   The actor jumps in beside the driver and, as the jeep makes its perilous way down the cobblestone streets, narrowly avoiding pigs, burros, and half-naked children, Burton will turn to wave a last goodbye to Elizabeth, standing smiling down at him from the balcony of their home.

Around noon, the jeep will return for Miss Taylor and drive her to the beach where she will board their boat, “The Taffy,” to make the 6-7 [corrected] mile trip down coast to Mismaloya, the location site of Burton’s film, “Night of the Iguana.”

After spending the afternoon with him, on the set, they will board the boat together shortly before dusk to return to Casa Kimberley.

During the evenings, the couple will dine alone at home or will join friends in one of the six restaurant-bars in town.

Even to one spending just a few days in Puerto Vallarta, it becomes obvious that the charm of this tropical land has had its magical effect on Liz and Burton.  Where they tried deliberately not to be seen in public in both Rome and London, here in Mexico they make almost a show out of publicly acting like a couple in love.  Their attitude seems to say:  “We adore each other and are proud of it.  We want the whole world to know how we feel.”  There is not a soul in Puerto Vallarta who could remain oblivious to that fact.

I first became a witness to their love while standing on my hotel balcony one evening, mesmerized by the glories that nature was unfolding before me.  The heavens seemed to be on fire.  The sky, grey with the promise of night, had been touched by unseen fingers of fire and turned shades of gilded red and gold.  The sun, resting briefly atop a low hanging cloud before its final descent, spilled a trail of liquid amber along the tropical waters, then slid silently into the sea.

It was twilight in Puerto Vallarta, one of the most thrilling spectacles offered anywhere in the world.  The coconut trees lining the shore were now bathed in partial darkness and swayed to the rhythm of the surf as a mild tropical breeze arose.

Unexpectedly, from the horizon, a ship approached, killed its motors about a hundred feet from shore, and drifted silently, lifted gently and unprotestingly by the gentle push of the waves.  The ship was the “Taffy” and from its cabin Elizabeth Taylor emerged, climbed to the bow where she poised for a moment, then disappeared into the sea, cutting the water with an expert and graceful dive.  A moment later she surfaced and waved to Burton who stood at the stern of the craft.  He called, “I’ll see you on shore, luv,” and made a motion to the native captain to resume the progress of the boat.

It seemed but moments later when the actress’ powerful stroke had carried her to the beach.  There, like a child confident she is safe from unseen eyes, she  pranced upon the sand, shaking her head to free the sea water held captive in her hair.  She stood for a moment, her arms outstretched in a gesture of abandoned happiness, then skipped back into the surf, laughing with delight as the waves playfully slapped at her legs.

“Elizabeth,” Burton’s voice broke the stillness as he came trotting down the beach to meet her.  They embraced, clung to each other for a moment, then walked arm in arm to an awaiting jeep.  They were going home.

“Elizabeth is very happy here,” Burton confessed to me the following day.  “We both feel we’ve found heaven.”

He proceeded to explain why.  “Here in Puerto Vallarta we can be ourselves.  Last Sunday, for instance, we decided to take the boat and spend the day with Lisa on a deserted beach along the coast.  At least we thought it was deserted.  After dropping our gear on the sand and spreading out our towels, we looked up and noticed several families of natives watching us from halfway up the mountain.  I waved and they immediately began to approach, friendly and unafraid.  They paid almost no attention to Elizabeth and myself.  It was apparent that they didn’t have the vaguest notion who we were.  But Lisa, they fell in love with her.  Even with my limited knowledge of Spanish, I could understand that they were telling us how beautiful she was, saying that she looked, with her deep copper tan, like a Mexican Niña.

When lunchtime came, I asked our visitors if they’d  care to share our sandwiches.  They were delighted, even happier to sample our tequila.  Then it was time for them to treat us.  They invited us up to their hut, to share their tortillas and beans – and their local brew.  Elizabeth and I sat on the dirt floor of the thatched hut, sharing the simple food that the women prepared for us over an open fire.  And, while Elizabeth and I basked in those golden moments of anonymity, Lisa enjoyed herself playing tag in the jungle outside the hut with our host’s children.”

For over two hours Burton talked of the life he and Elizabeth have found in Mexico.  Never did he say “I”.  His statements always began with “we.”  Charming and suave and very much a man of the world, he none-the-less gave the impression of a person as overwhelmingly in love as a teenager smitten with his first affair of the heart.

Sitting with him in the thatched roofed bar at Mismaloya, little more than a clearing out of a lush forest overgrown with wild banana and coconut trees, he pointed in the direction of the Taffy, at anchor in the breakwater.  “You know, of course,” he offered, “that Elizabeth named the boat after me.  Remember the rhyme, ‘Taffy was a Welshman.  Taffy was a thief? …’”  His blue eyes shone with pride and he seemed all at once like a boastful small boy, proud of his mischievous behavior.

This impression remained as Burton continued to speak.  Charming, a marvelous story teller, he seemed bent on disclosing the intimate little details of his affair with Elizabeth Taylor.  “She is my woman,” his attitude proclaimed.

Yet, though Elizabeth Taylor might be a woman in love, a woman who is now acting like an ecstatic bride, she proved a few hours later that, like women everywhere, she has her moments of annoyance with her man, when anger and possessiveness can erase all other feelings.

On that particular day, because only a half days shooting was scheduled, she had decided not to make the trip to Mismaloya.  Instead, she waited for Burton at “Casa Kimberly, expecting him to arrive home by two o’clock in the afternoon.

He, however, chose that day to rebel.  A terribly gregarious person who seems complete only when he is surrounded by people, he sat talking with me for several hours, though he knew Elizabeth was waiting at home.  Then, urged y his secretary who warned in whispers, “Miss Taylor will be upset,” he reluctantly arose and offered me a ride back to the mainland on his boat.  We had begun to leave the bar when he spied Director John Huston and Ava Gardner at a corner table and made his way over, “Just to say hello.”  It was more than an hour later when the frantic secretary finally persuaded him to board the boat and it was past 6 p.m. when we finally docked at Puerto Vallarta.  Elizabeth’s houseboy, sent down to the water’s edge to try to locate Burton, rushed up to him and explained nervously in Spanish that Miss Taylor was very upset, had sent him to the beach three times earlier that afternoon to find him.

If Burton was worried over Elizabeth’s apparent wrath he gave no indication, just smiled, bestowed a kiss upon my cheek as he bid me farewell and said  he’d probably see me later in town.

As it turned out, we did see each other again.  That evening he and Elizabeth appeared together at the Hotel Rio, in the center of town.  Whatever disagreement they may have had over Burton’s tardiness obviously resulted  in no more than a lover’s quarrel for she sat beside him now, her face glowing with adoration as they sipped their cocktails and made love with their eyes.  When they left a short time later, it was arm and arm, walking to the jeep that would take them down the cobblestone streets to their home.

Neither Richard Burton nor Elizabeth Taylor will discuss the possibility of their securing divorces from their present mates, yet there in Mexico such complications seem something that bothers them little.  They are honeymooning.  They have found their Shangri-la and if there is an Eddie Fisher and a Sybil Burton giving statements to the press in the United States – well, such things belong to another world, cannot penetrate the blissful state that has enveloped them.

Honeymooners are not uncommon in Puerto Vallarta.  Its beauty and picturesque setting make it a lover’s paradise.  Perhaps this is why the local citizens seem to be able to take Liz and Burton’s actions in stride.  They point with pride to ‘Liz’s house, the Casa Kimberley.’  They comment on Lisa’s beauty.  Yet they seem highly unconcerned with the notoriety that has surrounded Liz and Burton in other parts of the globe.

In a blue negligee she stands, waving to her lover as he leaves for a day’s work.  In the neighborhood grocery shop she will wander, seeking some delicacy to delight her man when he returns home at night.  In a picturesque cantina she sits, her eyes never leaving the face of the man with whom she is sharing paradise.  Her hand reaches out to find his and she smiles, her violet eyes alight with rapture.  Elizabeth Taylor and Richard Burton have found their heaven on earth.  It’s possible that they feel they can cling to it forever here in this Eden-like village.  They will buy a home high in the hills overlooking the sea where few will see and no one will are about their behavior.  And if they must return to civilization – to a curious press, to demands from estranged mates, to a society shocked that they won’t conform to acceptable behavior — their return will only be a temporary one.  And they will be able to tolerate it, knowing that they will return to the heaven they have found on earth where they can openly acknowledge their love.  And where no one will judge them.

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Mar 22

Richard Simmons

Fitness guru Richard Simmons reports he has 12 appointments set up this week with prospective buyers of his in-the-works reality show. “That’s 12 possible apostles to preach this to,” says the preternaturally buoyant personality. And we can tell you, he’s definitely got his gospel of weight loss all primed and ready to go.

“You know what, if we don’t get a handle on this weight thing, it’s going to be worse than a major earthquake in terms of stress, financial woes and medical problems,” he says. “I call people every day who are afraid to exercise. As you get more overweight, more fears set in. I’m just trying to get people to try again. One more try. All the people who’ve given up, give it one more try. Give it to me. Let me try to turn this around for you.”

Simmons is not a big fan of weight loss reality series on the air now.  ”Shows where contestants lose enormous amounts of weight each week send the wrong message to America. Then you have people feeling like failures because they don’t lose weight as fast,” believes the 63-year-old, who has devoted the better part of four decades to his quest to help people get into healthy shape — including books, videos, fitness classes, teaching and speaking engagements, 200 days of traveling a year, and lots of non-televised visits to work with morbidly obese and otherwise infirm individuals.

“Now more than ever, people want weight loss to be fast. More human beings are getting their stomachs cut into smaller pouches, or lap-banding it. And I get hundreds of letters saying, ‘It didn’t work.’ It’s not like it’s fool-proof. What’s the big hurry?

“Losing weight is not just about getting to a number. It’s about liking yourself and respecting yourself,” he goes on. “You can lose a great deal of weight, and not starve, and not over-exercise.” And have fun doing it, he stresses. “We’ve forgotten to have fun. Where’s the clown?”

He says he was inspired all over again by attending the memorial of his pal of 30 years, Jack LaLanne — and wants to stay in as great a shape as the fitness pioneer was well into his nineties.

Simmons also says he sent out some 50,000 questionnaires in an effort to get a handle on people’s feelings about being overweight and what to do about it in the current climate. That work informed the show he wants to get in front of viewers’ eyes. It would feature the goings-on at his Beverly Hills Slimmons flagship, where classes have a spectrum of all shapes, sizes, colors and ages, and of course, they have fun.

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Mar 21

Alicia Silverstone

Alicia Silverstone, whose popular “The Kind Diet” book is just now coming out in paperback, reports, “I’m in the process of time management.”  Indeed.  “There are so many projects.  But the biggest one, of course, is that I’m about to have a baby.  How I can continue to work on so many things at the same time — while, hopefully, being this graceful, advanced mother remains to be seen,” she admits with a laugh.

The actress and green living advocate tells us, “I have two other books I want to write, three films coming out, and my website is one of my greatest obsessions.”  She also has a collection of cruelty-free, ecologically-friendly makeup bags and brushes heading to market.

Alicia is sticking close to home while promoting the “Kind Diet” tome that promotes the vegan lifestyle.  “I’ve stopped traveling, but I’m doing what I can,” she says.

She’s been gratified by the outpouring of thanks that have come her way since the book was first released.  Stories have come in from converts including one mother who explained how “The Kind Diet” saved her allergy-prone baby from a string of frightening symptoms — and from potentially living on medication for the rest of his life.  Other missives have come from “people who were helped with big things and with small things, from people who cured their migraines, cured mono, cured constipation, from people who had major weight loss,” Alicia says.

The actress is so committed to the environment, she insisted upon her book being printed only on 100 per cent recycled paper with soy ink.  Rodale Press complied.  “That was a deal-breaker for me,” she says.

The book took her eight years to complete.  “It wasn’t easy, but every day I wrote on it, I was so happy.  I’d go for days on end without leaving the house.  My husband would ask, ‘Baby, do you want to take a shower?’  And I’d say, ‘No, not now!’” she admits with a laugh.  “I felt happy, connected and in tune.  What I was doing felt truly valid.”

Not that she’s slowed down in her acting career.  Fresh from her first Broadway bow last year, opposite Laura Linney in Time Stands Still, she finished three film roles in a row.  They are: the comedy romance “Homework,” which is due in June; the forthcoming indie, “Butter,” about a girl who discovers a talent for butter carving; and Amy Heckerling’s “Vamps” comedy.  The latter has her and Sigourney Weaver as vampires and was “a lot of fun.  I think they’re just finishing up with that,” she adds.

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Mar 20

A remarkable gathering of female filmmakers from the Muslim world that took place in Los Angeles last week may have concluded, but its impact is bound to live on. Not only was the event itself filmed, reports Women’s Voices Now Short-Film Festival Executive Director, Catinca Tabacaru. There was also a film team on hand at the house where 10 of the international women auteurs stayed together, documenting their interactions, their trips out to Rodeo Drive and Hollywood, their appearances at parties and panels, their personal accounts. 

Sounds like a reality show, except meaningful. 

“These filmmakers had never met before,” Tabacaru notes of the directors, who came from Lebanon, Iran, Qatar, Egypt, Afghanistan, Iraq, Yemen, Pakistan and other far-flung locales. “There was always a little group of people at the end of the night, hanging out, talking about their experiences and their films. We had very different people with very different ideas talking to one another. So many times, you have right wingers doing their thing and left wingers doing theirs, and they don’t have these kinds of exchanges,” she observes. In fact, the week was not without its arguments.  

Between Two Worlds: My Life and Captivity in Iran author Roxana Saberi, the American journalist imprisoned in Iran for four months in 2009 on espionage charges, was among the event’s honorees. (Actress Shoreh Agdashloo and CBS correspondent Lara Logan, along with the Egyptian women who intervened to rescue her when she was being assaulted by a mob in Cairo, were honored as well. So was Iranian political martyr Neda Agha-Soltan, whose death was seen around the world via Twitter when she was shot amid protests following that country’s disputed 2009 election.) 

Saberi was one of the festival judges, and says she found viewing films from other countries enlightening and inspiring. (The films may be viewed at http://womensvoicesnow.org.) 

“My time in prison was very difficult, but I also see so many who have suffered as much or more,” she tells us. Yet Saberi is optimistic. Despite such severe limitations as their courtroom testimony being considered worth half that of a man’s, she says, “Women have made a lot of progress in Iran’s society.  They were more involved in the 2009 political campaigns.” And the subsequent protests. “Sometimes it was the women in the front lines, encouraging the less courageous men on,” she observes. “Even though women face a lot of obstacles in Iran, there is great potential for change and democracy.  Sixty-five per cent of entrants into university are women. They get exposed to new ideas, technology, travel outside their world and learn about things like universal human rights.”

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