Tag Archives: CSI

‘CSI’ Goes Off the Beaten Path With Robert David Hall

“CSI: Crime Scene Investigation” goes off the beaten path with an its episode coming up Feb. 5, titled “De Los Muertos.” “It’s definitely unusual,” reports the series’ Robert David Hall. “It’s not your typical spotless morgue and, you know, all of the highfaluting scientific stuff we do.”

De Los MuertosThe storyline also shows a different, more personal side to Hall’s coroner character, Dr. Al Robbins, as he must head down to Mexico to autopsy the teenage daughter of a wealthy friend. She has died in what may or may not have been a cocaine overdose. With the good doc is Nick Stokes (George Eads). “He provides the muscle,” says Hall. “He really shines in the episode.

“It just turned into a really special thing. Our production people blew me away — they built this amazing-looking Mexican morgue,” he says.
East L.A. locations doubled for the Mexican border town where the action takes place. Hall says he’s never enjoyed working with a guest actor more than he did Julio Oscar Mechoso, who plays Doc Robbins’ south-of-the-border counterpart.

“It felt so good while I was doing it. You want to keep your fingers crossed,” he says. “Maybe some good things will come out of it. Tom Mularz, one of our younger writers, wrote this script. It’s exhilarating.”

The fact that Hall could still find “CSI” duty exhilarating is indicative of the series’ remarkable retention of quality over its 14 years — a particularly unusual feat in this era of disposable television.

“I think there is going to be a next year, too — 15 years — which is pretty exciting,” he tells us. Nothing is official, but Hall surmises that Ted Danson wants to come back, as well as Elisabeth Shue.

Hall admits that, had he been told back when “CSI: Crime Scene Investigation” began, that it would last 15 years, “I would have thought someone was on drugs to say that.”

The major changes through the years — most obviously, the cast changes that could have sunk the show — wound up giving it fresh life, acknowledges Hall. “Even though Laurence Fishburne was only with us two and a half years, he made a huge impact. And then when Ted and Elisabeth came on, they got it immediately — Ted especially.


“I think the casting changes we made came from a strong place rather than a desperation place,” Hall observes. “You go with what works, but you have to push the envelope a little bit.”

He’s watched original “CSI” leading lady Marg Helgenberger’s new series, “Intelligence” and enjoys it. “She’s as lovely or more lovely than ever. She does a great job,” he says. And of ex-leading man William Peterson, he says, “Billy’s doing a play here in Los Angeles in February,” and he’s looking forward to it.

They don’t stay in close touch. “We all have our own lives,” is how Hall puts it. “I’ve spoken to Billy once or twice and I see Marg on occasion — but we care. We spent a lot of time together. You wish them well.”

Another change for Hall: “After 15 years I finally retired as the head of the Screen Actors Guild and AFTRA Performers With Disabilities Committee. It was time for some new blood. But since SAG and AFTRA merged, I’m there for whatever they need vis a vis disability issues. I’m still on the board of the National Organization on Disability in New York City, one of the largest disability advocacy organizations in the country.”

Hall’s prosperous and well-respected career transcends the fact he is a double amputee. (In 1978, an 18-wheel truck crushed his car and his legs had to be amputated after the accident, which also caused burns over 65 per cent of his body.)

Has he seen improvement for actors with disabilities in the industry? “In some ways, sure,” says Hall. “But I think there’s still a large disparity in employment for people with disabilities — qualified people with disabilities — so, as long as that’s the case, we’ll have to keep working on it. You have to stay at the table. As soon as you walk away, you slide backwards.”

Now, he points out, there is an influx of newly-disabled veterans of the wars in Afghanistan and Iraq — and that adds a new urgency to the efforts to open doors of opportunity. He is hoping that the disability community can move forward against discrimination as have the gay community and people of color.

“If someone says, ‘He’s disabled,’ I’m okay with that, because I think I’m professional and good at what I do, and I want other people to get the same opportunities I’ve had,” says Hall, who is also a husband — he married wife Judy in 1999 — and father to grown-up son Andrew.

Hall, who recently filmed a movie called “Rock Story” with Eric Roberts, playing the congressman husband of Joyce DeWitt, looks forward to doing more movies and plays “when ‘CSI’ is finally over.” He also has the musical side of his career, with live performances and his lively and listenable Americana album, “Things they don’t teach you in school” (cq) of 2010, and another album in the works.

But for right now, “I am so excited about this episode on February 5th. I think people will see Dr. Robbins in a different light.” After 14 years, that’s saying something.

‘CSI’s’ Robert David Hall Re: Oscar Pistorius Controversy

“CSI’s” Robert David Hall is bemused by the controversy over South African runner Oscar Pistorius, who’ll begin his quest for Olympic Gold Saturday (8/4) — running on artificial limbs in the 400 meter sprint.

Talk that the technology that created Pistorius’ carbon fiber “Blade Runner” legs gives him an unfair advantage “cracks me up, because I walk on artificial legs,” says Hall.  “This guy runs on two artificial legs, and people have no idea how difficult it is.  Let me tell you — I’m not an Olympic athlete, but this guy had to run in Olympic qualifying time and he’s an amazing human being!  This guy has worked so hard.  He’s not getting any favors.  He’d much rather have his legs, I’m sure.  So would I.  But you deal with the cards you’re dealt.  I’m really proud of him.  I hope he has a great Olympics, and he means a lot to a lot of us who are amputees.”

Asked whether walking — and running — on artificial legs is painful, Hall shrugs.  “Well, you know, there’s pain in everything.”

We caught up with the actor and advocate for actors who have disabilities the CBS-CW-Showtime Star Party of this summer’s Television Critics Association

Press Tour.  At the sunlit soiree outside the Beverly Hilton Hotel, he told us that they’re already back at work on “CSI” — shooting Episode 1 of the series’ 13th season.

“I’m enjoying it so.  It’s a lot of fun.  Our producer was here at this party, and I was listening to her talk, and she said, ‘Oh, Dr. Robbins will be digging up a mass grave in the desert.’  I didn’t know this.”  He laughed.  “That’s why I come to these things, to find out what I’m going to be doing this year.”

Robert David Hall Finally Gets to Kiss the Girl on ‘CSI’

Robert David Hall

Marg Helgenberger is just now shooting her last couple of episodes of “CSI” before she leaves the long-running series.  Robert David Hall acknowledges it’s another big cast change, and he’s going to miss her.  “She’s a friend, she’s like a sister.  I’ve known her for 12 years now.  But of course, I support her decision to move on and try new things,” he says, “and I’m looking forward to working with Elisabeth Shue.”

The series, of course, has had quite a few comings and goings in recent years.  Hall admits he still misses William Petersen, and Laurence Fishburne, who is a good friend of his.  But now, “I’ve really come to love Ted Danson.  He’s such a generous actor and such an interesting actor.  You watch him and wonder, ‘What is he going to do next?’  As D.B. Russell, he’ll be talking to you but looking at something else.  It’s almost like he has ADD, going off on some seemingly unrelated thing.  But he always comes back around to solving the crime, and you like going on the ride with him.

“It’s a funny thing about change and about time marching on.  I think you have to honor what about the show works, but you have to be bold bout pushing the envelope, too,” adds Hall.  “I don’t think the changes are negative.  We still have a good audience, and the show is huge overseas.”

Hall has just finished shooting the Dec. 14 episode of “CSI” — a huge episode for his Dr. Robbins character.  In fact, it’s the episode no fan of Doc Robbins should miss. 

“We finally deal with the white elephant of Doc Robbins’ disability.  We go to Doc Robbins’ house, see him take his prosthetic off,” Hall reports. “He’s in real pain — not physical pain, but mental pain.  There’s strong psychic torture the character is going through.”  Things aren’t good at the Robbins’ house, you see, since, “A naked dead guy is found in Doc Robbins’ bed, and they suspect his wife (Wendy Crewson) of complicity, shall we say.  It’s a very twisted journey to the end.”

And Hall loved it.  “For two weeks, I got treated like a leading man,” he tells us with a laugh.  “I even got to kiss the girl.  I’ve done 260 episodes, and it’s the first time I got to kiss the girl.”

MEANWHILE:  By the time you read this, Hall should be in Washington, D.C. for tonight’s (12/1) 25th Anniversary Gala Victory Awards.  He’s being honored at the event benefiting the National Rehabilitation Hospital.  A tireless advocate for actors and others with disabilities, Hall has also paid many visits to Walter Reed Army Hospital and Bethesda Naval Hospital.  “My entire family is steeped in Navy tradition,” says the actor, who has a number of relatives that were Naval Academy graduates.

Robert David Hall Trades Death for Birth on This Week’s ‘CSI’

Robert David Hall CBS photo by Andrew MacPherson

With its final episode of this season just about to go into production, the original “CSI: Crime Scene Investigation” is “like a battleship cruising through the ocean.  We still seem to have full steam.”  At least, that is the opinion of the show’s Robert David Hall.  And he’s certainly not alone, as “CSI” continues to be a strong ratings performer in its 11th year, and is listed among the formidable TVByTheNumbers’ Renew/Cancel Index as Certain to Be Renewed for the 2011-2012 season.

“We recently did our 250th episode and had a little party on set.  Billy Peterson came to visit us,” he adds, referring to the former “CSI” star.  “They took pictures, cut a cake.  The executives came out, and the crew…We were all shaking our heads, like, ‘250 episodes?'”

For Hall, this week’s (4/7) episode, penned by show creator Anthony Zuiker, offered a rare chance to get his medical examiner character, Doc Robbins, out of the lab — and then some.  “After all these years of dealing with death, I actually got to deliver a baby,” Hall says.  But, this being “CSI,” you know it’s not going to be a balloons-in-the-maternity ward kind of occasion.  In fact, the young mother has just committed suicide.

“Dr. Robbins acts very quickly, to deliver the baby right there…It’s based on something that really happened with Daniel Holstein, a pathologist who is an advisor and sometimes writer on the show.  There was a situation just like this in Los Angeles,” says Hall, who shares the segment with George Eads.  “At the end of the scene I’m actually holding a live baby.  Acting is one thing, but holding an infant in a scene is a great responsibility,” says Hall, whose own son is grown.

MEANWHILE:  Next up for Hall is a return to focusing on his infectious, Americana-style music.  He has two local gigs this weekend, and musician pals, including his “Things They Don’t Teach You in School” album producer, Chris Wall, in from Austin, Texas.  Hall, who lost his brother Steven to liver cancer just over a week ago, is especially valuing having good work and good friends right now.  The actor told us last year that it was Steven’s encouragement, and his corageous battle against the disease, that motivated him to finally get out and pursue his life-long dreams of music-making.  As he notes, “It’s so important to honor your dreams.”

Rob Dyrdek Foresees Getting Too Busy for TV

Rob Dyrdek MTV photo

Rob Dyrdek MTV photo

Skateboarding superstar Rob Dyrdek may have amassed a huge fan following with his “Rob & Big” and “Fantasy Factory” MTV reality shows, but he foresees the day when he might be too busy to remain a television star.

“I’ll do TV for a little bit more,” assures the holder of multipleF Guinness book records for skateboard stunts.  “I have so many other things I’m doing like developing a cartoon.  I’m developing a professional skateboard tour.  I’ve got my shoe and clothing line.  And I actually sold MTV another show that I’m developing…At some point I’ll have to focus more on that stuff, but for now, I’m having a lot of fun shooting TV,” he says, referring to his current “Fantasy Factory” show – on which he’s up to even more outrageous adventures than ever before. 

“I think part of last season was sort of understanding the dynamics of everybody in the building and sort of each person’s role,” notes Dyrdek, whose office contains an indoor skate plaza.  “Now we’re just having fun.  We’re making some really ridiculous and over-the-top television, from buying a racehorse and jockeying it in its first race to building a mini drifting car and doing tandem drifting with the world’s most famous drifter, Ken Block — to bringing back Bobby Light and opening up for Blink 182 in Vegas, to swimming with tigers.”  Wow.

 For those who didn’t get a chance to see Dyrdek’s antics in Season 1 (such as riding the purported World’s Largest Skateboard with L.A. Mayor Antonio Villaraigosa), it is now available on DVD.  “There’s so much funny, ridiculous stuff that could not find a place in a 22-minute episode,” he notes, “so it’s all on the DVD.”

 MEANWHILE:  Dyrdek tells us his thoughts have been with his buddy and business partner Travis Barker, who has been mourning the loss of DJ AM.  Barker and DJ AM survived a plane crash together last year.  “It’s just so tragic.  I think for Travis, especially, because of the significance of what he lost in the first crash and being bound by that, and to see DJ AM come to an untimely passing was really hard on him.”   

Kathy Ireland and Tony Dovolani  ABC photo

Kathy Ireland and Tony Dovolani ABC photo

A GIVING SPIRIT:  “Dancing With the Stars” participant Kathy Ireland sent flowers arrangements to every one of her 31 fellow performers (stars and their dance partners), for Monday night’s kickoff of the show, designing the displays herself since they were from Fabulous Florals.com, one of the companies of her $l.4 Billion-a-year lifestyle design empire. 

 The supermodel turned super mogul is giving any money she earns on “DWTS” to non-profit charities, much of it to her dear friend Elizabeth Taylor’s HIV/AIDS foundation.  Dame Elizabeth did some giving of her own, selecting and purchasing the Valentino gown Kathy wore on the show’s premiere.  And those fabulous jewels in which she was bedecked were from Elizabeth’s personal collection.  Kathy is one of the top jewelry designers herself, but Dame Elizabeth is her lucky charm.

LEFT HANGING:  Ever since “CSI’sRobert David Hall told us that we’ll be seeing the cast suspended from wires this season, as “a moment in time is frozen,” we’ve been kinda wondering what exactly that means.  Hall declined to elaborate, beyond saying that tonight’s (9/24) season premiere is some of the most ingenious TV he’s ever seen.  “Not just in terms of the storyline, but in terms of camera angels.  It’s just movie magic,” according to him.  

That’s not all they’re keeping suspended.  Now we hear from casting sources that “CSI” is looking for real pole dancers “who can hang upside-down unsupported” for an upcoming episode.  “Must be athletic… No nudity.” 

SOMETHING TO SING ABOUT:  With “Little Miss Sunshine” being turned into a musical via the Sundance Theatre Lab at White Oak, casting is underway for all the characters remembered from the quirky 2006 flick about a family trip to a children’s beauty pageant — that was made for $8 million and grossed more than $100 million worldwide, and scored Oscars for Best Supporting Actor (Alan Arkin) and screenplay (Michael Arndt).  The plan is for the new show to be unveiled Oct. 25 in Yulee, Fla.

And they’re looking for a girl to play Mary Jane Greenberg, daughter of 60’s record producer (“It’s My Party,” etc.) Florence Greenberg, for the Pasadena Playhouse production of “Baby, It’s You.”  That musical has been moving up the Equity chain – with intentions aimed at Broadway next year.  It arrives in Pasadena in December.

With reports by Emily-Fortune Feimster