Tag Archives: Melissa McCarthy

Emmys 2011 Backstage Chat From A Year of Satisfying, Tolerance-Celebrating Wins

Melissa McCarthy

The Emmys celebrated tolerance at their 63rd annual awards fest last night — a feeling that carried on through the Winners Walk press rooms backstage.  Yes, Melissa McCarthy and Margo Martindale, two women whose appearances would automatically put them out of the running for becoming Fox News babes, were awarded television’s highest accolade for their brilliant work on “Mike & Molly” and “Justified,” respectively.   Thirteen years years after Camryn Manheim’s notorious “This is for all the fat girls!” proclamation when she won an Emmy for “The Practice,” maybe this is a sign of progress.

Oh, yes, and there was a lot of talk about gay people, too.

 Outstanding Lead Actress in a Comedy winner McCarthy told press that “Mike & Molly” was never about the main characters’ weight problems for her — or for producers Chuck Lorre or Don Foster.  She said Foster “looked at me and said, ‘I’m writing a romantic comedy.'”  If viewers were still talking about the couple’s girth 10 episodes in, she said, she knew they’d have a problem.

McCarthy’s category certainly marked the most fun presentation of the evening, with nominees Amy Poehler, Laura Linney, Edie Falco, Martha Plimpton, Tina Fey and McCarthy hurrying excitedly to the stage as their names were called — and McCarthy being crowned and handed a bouquet, beauty pageant-style when she won.  She told the press that she first heard about the idea  from fellow nominee Martha Plimpton, “She said, ‘Amy’s got an idea.’  I said, ‘I’m in.’  If Amy Poehler thinks something’s funny, I’ll do it.'”

Asked how she felt about being identified with her infamous vomiting scene in “Bridesmaids,” McCarthy said she was just glad people went to see the movie, that she thought Kristin Wiig and Annie Mumalo did a brilliant job writing it, and that to her, the scene “was less about being gross and more about the sheer horror of that happening publicly.”

McCarthy codesigned her long purple dress, drawing sketches and providing input.  It has already wound up on Worst Dress lists, but at least it had some things going for it.  As she said, “It’s wildly comfortable, and it has pockets, which I enjoy in a gown.” 

The Plainfield, Illinois-born McCarthy was asked what she would say to young people who have dreams of becoming actors.  “If anybody tells you that the odds arer slim, just keep walking …If you love something and work really really hard at it, I think the odds are pretty good.”

Margo Martindale, who won the Emmy for Outstanding Supporting  Actress in a drama at age 60, told press she appreciates the honor more now than she ever could have at 30.  She was initially hired to play moonshiner Mags Bennett for just four episodes of FX’s “Justified,” she said, but one or two episodes in, she was informed they were writing her into 10.  Then she dmitted with a smile that, considering how happy producers were with the character, “I thought they’d let me live!”  She added that she thought Mags’ demise was poetic and appropriate.  Next, we’ll see the esteemed, long-time character actress playing assistant to Patrick Wilson’s top tier surgeon on CBS’s new “A Gifted Man.”

 Martindale was among the winners that brought fans special satisfaction — inside as well as outside the auditorium, as the applause level showed.  Certainly Lead Actor in a Drama winner Kyle Chandler was foremost among those, as he closed out his “Friday Night Lights” history with an Emmy — finally.

Such was not the case for Steve Carell, who lost out in the Lead Actor in a Comedy category to Jim Parsons of “The Big Bang Theory” — even though it was his last year on “The Office.”

Parsons admitted backstage that his own mother told him he shouldn’t expect to win, that Carell would:  “That’s what my mother had said along with other prognosticators.  He’s just done such a wonderful job on that show for such a long time.” 

Parsons was asked whether he’d seen Charlie Sheen backstage, and what the wayward former “Two and a Half Men” star might have said to him.  “He just congratualted me.  He said, ‘That’s awesome.’  It was that sweet and that banal. I’m sorry.  I wish there was something lurid for me to say.”

And, asked an odd question, he gave a whimsical answer.  Jim, do you find people expecting you to do pratfalls in the real world?  “I pray to God they’re not because I could be a big disappointment.  I can be a little klutz-prone at times, but overall I have an odd grace, like a giraffe, and manage not to fall down.”

Kate Winslet and Guy Pearce traded accolades backstage after their respective “Mildred Pierce” wins — and after Pearce talked, during his acceptance speech, about the joy of doing lovemaking scenes with the Oscar-winning actress. 

Her response to that?  “I’m thrilled.  I had a crush on Guy Pearce since I was 11 years old.  So to even stand in the same room with him was thrilling to me.  And to hear him say that onstage tonight was even more of a thrill.”

Legendary filmmaker Martin Scorsese, who won for directing “Boardwalk Empire,” said that he approached that HBO drama as if it was a long movie.  He talked about the freedom of long-form TV storytelling, comparing it to Victorian novels by Dickens and others that were actually written in serial form.   He also compared “Boardwalk Empire” to old Hollywood gangster movies, saying that eople are fascinated with watching these kinds of criminals rise to power, “but you want to see them fall.”  

It was a big night of celebration, of course, for repeat winners “Mad Men” and “Modern Family,” and the show teams came backstage feeling festive. 

“Modern Family” producer Steve Levitan — who talked in his acceptance speech about a real-life gay couple thanking him for the show making people more tolerant — said he’d been thinking about what he’d like to say for a couple of days before the show.

Individual winners Ty Burrell and Julie Bowen were asked about conservative America’s reaction to the show’s gay couple, played by Eric Stonestreet and Jesse Tyler Ferguson.   Burrell said, “I don’t know about it in opposition to conservative America, but it feels very good to be on a show that seems to be slowly changing a lot of minds.”  And Bowen said, “It’s absurd that it’s even an issue, but since it is, I’m glad the show is changing people’s minds.”

 

‘Bridesmaids’ Melissa McCarthy Matter of Fact About Body Image

Melissa McCarthy

Melissa McCarthy’s career is surging, what with her role in the big-screen “Bridesmaids” that opens this weekend, her “Mike & Molly” stardom, and  other projects in the wings.  So she can definitely afford to laugh at that much-talked-about magazine writer’s declaration last year that she didn’t want to have to watch “fatties” in love.  Looking back, McCarthy tells Entertainment Weekly, “In all honesty, my first thought was ‘Gosh, I hope she doesn’t have a daughter.’”

In a feature featured in the issue hitting stands tomorrow (5/13) the mother of two girls talks matter-of-factly about her own body image.  “Please, I don’t throw on a dress and go, ‘That’sperfect!’  But I do quite often go, ‘Well, it’s not changing today, so just go out and have fun and stop worrying about it.’”  McCarthy has another female ensemble comedy that she wrote with “Bridesmaids” cowriter Annie Mumolo, and director Paul Fieg is developing a romantic comedy for her, EW reports.  A plus-sized movie star?  McCarthy says she’d love to be big on the big screen.  “Yes. Are you kidding?”

Can Females Succeed in Raunchy Comedy?

Kristin Wiig, Rose Byrne, Maya Rudolph, Wendi McLendon-Covey Universal photo

Can women pull off doing a raunchy big-screen comedy?  Kristin Wiig’s “Brides Maids” was previewed at the recent SXSW Film Fest to a chorus of agitated reviews, horrible to ecstatic, and attendee applause.  Sounds like the kind of response that’s greeted other comedies with gross-out moments that sell lots of tickets despite critical loathing.

“I hope that other studios will start taking a gamble on funny girls, because we’re interesting,” declares the movie’s Wendi McLendon-Covey. “There are a whole lot of girls out there who aren’t afraid of making themselves look stupid, who aren’t vain, who can do what the boys are doing.”  She adds, “We’re always seeing the same funny boys in the same types of movies, the manboy movies.  Okay, but girls are funny, too.”

Some of those manboy comedies are, of course, the work of moviemaker Judd Apatow, who happens to be producing “Brides Maids,” which was cowritten by Wiig and Annie Mumolo, and directed by Paul Feig (“Freaks and Geeks,” “the Office”).  It has Wiig, as a put-upon maid of honor, teamed with Maya Rudolph, Rose Byrne, Melissa McCarthy, Ellie Kemper, McLendon-Covey, and Jon Hamm as a hateful boyfriend.  The flick (the late Jill Clayburgh’s last) is due for May 13 release from Universal.

McLendon-Covey reports that when she and her castmates first got together for a table read of the script it was 2007.  The delay in getting it before the camera “might have been because of the reticence to finance anything female-driven that wasn’t ‘Sex in the City,'” she surmises.

“Brides Maids,” she stresses, “is not a chick flick.  There is no shoe shopping montage, none of that.”  And there were no cat fights on set.  “People ask me that, but no.  What’s to fight about?  A bunch of nerdy girls who like to be funny, supporting each other.”

McLendon-Covey plays a character named Rita who is “very, um, damaged and thinks she’s so much smarter than her life.  I love playing the weirdos.  She’s a fly in the ointment, the one telling the bride, ‘You’re making a big mistake.'”

With “Brides Maids” on the way, the “Reno 911” alumna says she’s gone out for a few pilots, but nothing that has her excited.  “I hate to say this, but when I read for pilots a lot of times I can’t tell one from another.  I’m happy with my nice little recurring gig on ‘Rules of Engagement.'”