“She was much better than I expected,” the actress lets us know. “You never know with someone as famous as she is, who has such a following. But she showed up on set on time, she knew her lines and she was very professional. She came in ready to shoot and have fun.”
And fun they do have, assures Bowlby, who plays Stacy Barrett, the wayward best friend of Brooke Elliott’s dual soul attorney character, Deb/Jane. In the fourth season, due to launch June 3, Stacy’s inventive side emerges again. (Fans will recall the “armvelope” driving accessory she came up with.) This time, she has the “pake” — a pie encasing a cake — and she does so well with it, she launches “a pakery, of course. It’s super fun,” Bowlby says. Working with her is Nicky, as played by Kim Kardashian.
“She’s not playing herself, you know,” Bowlby points out. “She comes in and gives me some love advice, and I follow it.”
The “DDD” writers have been having a field day with Stacy, who really did become naughty last season, what with becoming a TV star, getting a runaway ego, breaking the heart of her angel-man, Fred (Ben Feldman) and having an affair with her costar. She also managed to turn Deb/Jane against her with her wanton ways.
“I got around, I’ll tell you that,” Bowlby says with a laugh. “I was really surprised with the writing. I was like, who is this character? I’m playing a diva. It was awesome. I feel I lucked out. My character kind of gets to do anything and everything.”
However, she admits, “A lot of people were very sweet, and they would come up and tell me, ‘I don’t like what you’re doing. I want the old Stacy to come back.'” And, is she back? “She is doing good,” reports Bowlby, as the team is in the midst of its seasonal production outsideAtlanta. “She is actually being really supportive of Jane, so thank goodness for that.”
THE BIG SCREEN SCENE: Even as Halle Berry’s “The Hive” is being shopped to foreign investors at the Cannes Film Festival, director Brad Anderson is prepping for a late June production start on the thriller. It hasHalleas a worker at a 911 call center who becomes involved with a call from a young girl — Abigail Breslin — who has been kidnapped and is frantically phoning from the trunk of her abductor’s car. Already, there is buzz about how demanding each of these roles is, not to mentionAnderson’s obvious directing challenge with a plot that centers on two people who are on the phone, one in a dark, cramped spot.